Photo credit: Glynis Carpenter
Country Music headliner Martina McBride’s catalog overflows with powerfully communicative performances. The playful “I Love You,” the heartbroken ballad “Wrong Again,” and the empowering anthems “Independence Day,” “This One’s for the Girls” and “Wrong Baby Wrong” unfold along clear lines of melody, which the five-time CMA Award winner animated with her own distinctive phrasing and interpretive sense.
“Our industry has been crediting the musicians, engineers and other creative professionals who work on recordings for more than half a century, not only to publicly acknowledge their contributions to a project but to educate fans and keep them informed of the tremendously talented individuals and ensembles that further the legacy of recorded music. Sadly, and unfairly, this information is largely being lost in our digital age. Audiences want to know this information, and I fully support The Recording Academy’s initiative to ‘Give Fans The Credit.'”
— T Bone Burnett
“As a producer and songwriter for many Motown hits, I was privileged to work with the Funk Brothers, Motown’s legendary session band. But fans who listen to those songs on digital players don’t even see their names. Let’s ‘Give Fans The Credit’ — not just for songwriters like me, but for so many talented musicians who made the Motown sound what it is.”
— Lamont Dozier
“When a fan listens to any of my recorded tracks, I am acknowledged, by name, as the performing artist. But when they hear other popular recordings like “Mi Tiara,” “Dancing On The Ceiling,” “Don’t Stop ‘Til You Get Enough,” or “Purple Rain,” there is no way for fans to know the names of those of us who also placed our same talent on those tracks. Digital music has made so many amazing technological advances, and I look forward to solutions in resolving this shortcoming in the distribution method so fans may receive more information about the music they love.”
— Sheila E.
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